This is my last Best Picture Nominee review, and not a moment too soon as the awards are starting shortly. Even though I’ve bombarded myself over the past few days with movie review assignments, this has been a really fun project. I got to see some great films and am way more excited to watch the Oscars than I usually am. Well, here it is, last but not least, Silver Linings Playbook…
“This is what I believe to be true: You have to do everything you can and if you stay positive you have a shot at a silver lining.”
Silver Linings Playbook stands out from the pack in that it is an uplifting film with a happy ending. Are best pictures allowed to have happy endings?
I left the theatre smiling after seeing Django, but it wasn’t exactly a warm and fuzzy kind. It was that smile that a badass Tarantino gives you, that one where you feel kind of weird and terrible on the inside but kind of exhilarated at the same time. To be fair, Argo did have a happy ending, and the six US citizens were rescued from Iran. It left me thinking about the Iran Hostage Crisis, US foreign relations, and how crazy it was that the incidents in the movie actually occurred in real life (oh, and what a marvelous job Ben Affleck did directing!) But this is a different type of happy ending than the one in Silver Linings.
For, while I was happy to have seen Argo, and thoroughly enjoyed it, Silver Linings actually made me happy.
The film follows Pat, played by Bradley Cooper, after his release from a psychiatric hospital where he was being treated for bipolar disorder following a violent attack in which he nearly killed his wife’s lover. Pat, in desperate effort to win back his estranged wife Nikki, is in a constant state of attempted self-improvement, exercising obsessively, reading each book on her classroom syllabus, and generally willing himself to be better.
He meets Jennifer Lawrence’s character, the emotionally unstable Tiffany, through her sister, who happens to be a close friend of Nikki’s. A peculiar and combative friendship forms between these two damaged souls, eventually leading to a love story. They have eccentric social skills. They are blunt and sometimes impolite. And while they are comfortable around each other and understand each other better than their respective family members do, they also seem to push each other’s buttons far more than anyone else would dare to. Pat makes constant reference to Tiffany’s deceased husband or to her being a “slut”. (“No, that doesn’t count, he’s dead.”) And Tiffany casually asks Pat how his restraining order is going. Neither of these character flaws would be bluntly discussed by a “normal” person, because we’re always so concerned about etiquette, sparing feelings, and not making situations worse. Pat and Tiffany in this film found a way to connect with one another on a small oasis of truth.
Which sounds weird since Tiffany was lying to Pat about having contacted Nikki for almost the entire film.
The relationships are what this film is all about. Besides the relationship between Tiffany and Pat, we see a spectrum of others that range from devoted friendship (Pat and friend from the hospital Danny) to strained misunderstanding (Pat and his Parents) to stifling resentment (Tiffany and her sister Veronica played by Julia Stiles), and everything in between. The little idiosyncrasies that render each of us “crazy” in our own way are showcased in the context of tangled and thorny interpersonal relationships to create a small snapshot of life and of human interaction that is strikingly honest and relatable.
The script is fantastic. It’s funny, like really a lot of funny. And it’s touching and entertaining.
The acting, very obviously, was wonderful. Jennifer Lawrence, our new IT girl killed this role. It was a great move after Hunger Games, and I can’t wait to see what she has coming up next. Bradley Cooper played this high-strung, delusional, and idealistic character very well, but he has a snowball’s chance in hell at beating Daniel Day Lewis for Best. I LOVED DeNiro in this role. Seeing the softer side of him in the heart-to-heart scene with his Cooper makes you want to give him a hug. He could be a contender for Best Supporting (although I still think I’d have to pick Christoph Waltz).
This feel-good film was worthy of the actors nominations it received and of Best Picture. One can only guess who will be victorious, but it is worth seeing either way. Enjoy!